Since 1984 the sculptures of Nicolas LAVARENNE are shown all around the world and make part of private and public collections of art-lovers, whose requirements have not been deceived.....Urban installations succeed to enable a very large public to appreciate his work. Nicolas Lavarenne takes a major place in my choice and I have the feeling I transmit my passion to many visitors of St. Paul de Vence, where his sculptures are represented permanently.
Marc Massa opens to the public his foundry where the sculpting artists of the region and all the Europe regularly work... Marc is a talented artist who not only gives life to the works of the other creators, but knows how to innovate constantly in...
I learned that a few new pieces were born this winter under the fingers of Nicolas Lavarenne in the calm of his workshop... the secret is well kept but you will of course the scoop of their discovery at their final patina...
LAVARENNE Petit...
A breath of fresh air and mischievous happiness crosses the theater of his canvas while each painting takes us back to the land of childhood and comic strips .... Magic of the brush, facetious mind. Anton speaks the universal language of our love for life .... he invites you to join the ring and let your mind dance while observing a goldfish, play leapfrog or off-ground tag .... Be careful, you just leaped on a "trottinette" to meet up with the artist and you'll soon find yourself projecting the same gestures, familiar or unusual ! Back to reality : A highly talented and fully accomplished artist ! Welcome to Anton's wonderful ring of happiness !
Le cabinet du Collectionneur
ANTON LES JEUX INTERDITS
Jeux interdits (Ménines), Huile sur Bois, 44x47cm encadré
ANTON LES FRAISES TAGADA
Homme aux fraises Tagada, Huile sur Bois, 55x33cm + cadre/frame
ANTON L'HOMME AU CHIEN
L'Homme au chien, Huile sur Bois, 73X50cm+cadre/frame
Pauline's comment
A child's spirit, a great talent, those two words could resume the skill of this self-taught artist born in 1944. He paints his lifestyle, serene, sensitive, away from the hustle and bustle of high-life. Uneven and muffled texture in various shades of grey, blue, red, pink beat the tempo of an unambiguous stroke giving life to delightful characters who recently jumped out of their canvas to be set into bronze sculptures bearing their familiar gestures.
Anton vu par la presse
« Moi, j’me balance », semble chanter François Anton, ou tout au moins son éternel personnage, en perpétuel déséquilibre, saltimbanque sur le fil du monde, qui joue à « saute- nuages ». Enfant au corps d’adulte poursuivant ses gambades à la Galerie Seiller, de skate en trottinette, de patins en cerceaux. Enfant de Daumier, dont il a l’ironie, sans la cruauté, de Chagall, dont il a le regard enchanté. Et pourtant Anton a incontestablement une patte reconnaissable entre mille.
En toiles qui allient huiles et pastels au trait incisif du crayon, Anton promène son avatar dans diverses situations. Comme un héros de BD vivant ses aventures aux quatre coins du globe. A l’instar de son personnage « devenu vieux sans être adulte », l’artiste joue avec sa figurine la plaquant dans des décors pour en « presser » les émotions. Décors quotidiens, faussement réalistes.
Comme au théâtre, temple du jeu, ailleurs, lieu du voyage sans passeport, univers de fantaisie qui pourrait être sa mémoire. Mais rien d’ethnologique ni d’exotique dans ces voyages. Car Anton a une démarche de poète, rebondissant sur des correspondances baudelairiennes : il n’en subsiste que les sensations. Toujours dans deux dimensions, de cabriole en calembour, Anton garde la lucidité de l’enfant dans le jeu, jonglant avec les illusions et le réel. Sans naïveté, sans nostalgie. Cet innocent paradis récréatif, il le recrée à sa guise, réveillant chez l’adulte une joie réelle de cet univers regagné. Il n’est pas étonnant que se décline ici le mythe du clown, du saltimbanque, thème miroir de l’artiste et l’enfant confondu.
Always in two dimensions, of cabriole in pun, Anton keeps the lucidity of the child in the game, juggling with the illusions and the real one. Without naivety, without nostalgia. This innocent recreational paradise, he recreates it as he pleases,...
Jean-Claude ALLENBACH was born on 17. July 1947 in Colmar, Alsace. To our deepest regret he passed away before his sixtiest birthday. He became a painter in 1972 after discovering the beauty of Provence, where he stayed frequently. Landscape-painter and colourist, his palette is dominated by the brightness of the warm colours of mediterranean sceneries, filled with sunshine. He preferred oil paintings and lithographies, that were regularly shown in France, Japan and Switzerland. Many art-collectors are happy they choose his works and personally I own some master pieces.
Le cabinet Collector
Pauline's comment
His paintings are singular...the artist’s eye excels in the art of capturing the essential. Without going as far as abstraction, Allenbach initiates us to discover very synthesized landscapes and flowers, where nevertheless no element is missing. The blending of colours is marvellously organized and his touch so well controlled, that there is no place for doubt. We are immediately captured by his world of reassuring and fascinating serenity. I appreciated contemplating his works silently in his company, when he gave me the honour of a visit at Saint Paul... Frequent exhibitions have been organized in his presence (see events).
1969: born in Alger, Algeria; 1979-1986: secondary school and baccalauréat (sciences) in the Alpes Maritimes, France; 1986-1989: studied architecture in Paris, France; 1989-1993: studied graphic arts in Paris, France; 1993-1995: training in the art of casting with the lost wax method in the Var, France; 1996-2000: lives in San Francisco, USA and works in industrial design; 2000-2001: lives in Guernsey, UK and works in industrial design; 2002: birth of her daughter Zoé; 2001-2009: installation and artistic activities in Finale Ligure, Italy; Exhibitions: • 1994: Cloître des Billettes (Paris IV, France). • 1995: “Les arts dans la rue” (Mougins, France). • 1996: Arts Fair (Antibes, France). • 2001: Personal exhibition (Cannes, France). 2006: • Personal Exhibition (Varigotti, Italy). • Arte Firenze 2006 contemporary arts fair (Florence, Italy). 2007: • Fine Arts Gallery (Heeze, Holland) • Personal exhibition (Verviers, Belgium) • Linéart Fair (Ghent, Belgium) 2008: • Kunst Antiek Weekend (Naarden, Holland) 2009: • Kunst Antiek Weekend (Naarden, Holland) • Exhibition in May at the Mas d’Artigny (Saint Paul de Vence, France) • Continuously at the Art Seiller Gallery in Saint Paul de Vence.
Collectors cabinet
SAK NAQUNOEIL
NAQUNOEIL, Bronze, 18X14X2cm
SAK BERTHE
Berthe, Bronze, 23x40x18cm
SAK ZOE
Zoé, Bronze, 38x16x17cm
SAK MUE
Mue, Bronze, 35x21x20cm
SAK MUE
MUE, Bronze, 35X21X20cm + socle
SAK PENSEES
Pensées, Bronze, 31x20x24cm
SAK VARIATION SUR Z
Variation sur Z, Bronze, 24x42x4cm + socle
SAK MARIAGE
Mariage, Bronze, 32x15x13cm
Pauline's comment
Comments by the artist SAK: "I love sculpture in bronze. I started out by sculpting a fantasy and somewhat baroque world, always in relation with the anatomy of the human body. The human being remains, still today, at the origins of all my creations. I want to understand the physical complexities and express them through a more abstract and subjective approach. To start, I create a sculpture in classic fashion and then through the transformation of this piece, by crushing it, stretching it, through the absence or addition of matter, a new sculpture is born: the deconstruction of the objects makes for its rebirth. The initial conception of the classic piece requires a certain rigour, attention and meticulousness that I wish to then liberate thanks to the body language and the spontaneity of movement. On top of that, I like to take into account the role of the random factor in the piece. In effect, all bronze sculptures need a wax copy and it's that wax that I transform and play with: the wax's reaction to the heat as well as the water is a direct participant in these new creations. Finally, with the patina, I begin to discover the notion of colour in bronze sculpture. The colour's freedom highlights and enriches the rigour and technical constraints of the initial creation. My sculptures need time and a slow maturing.” SAK
Juarez MACHADO, painter and sculptor. Born in 1941 in Brazil, lives in France. Beaux Arts school. Theater settings, television, illustrations and engraving. Juarez Machado's palette, like his décors, is rich and sumptuous, the composition is rigorous. A man of the theatre, he brings his painting to life like a stage, not without a touch of narcissism tinged with irony. Juarez Machado is an immense artist, like his personality: excessive, seductive, not scared of scandal but, most of all, profound! J.Quehen Shows frequently in Europe and U.S.A.. Many awards and works in several museums.
Collector's cabinet
Machado Pastel Couple allongé
Pauline's comment
The palette of Juarez Machado, like his decorations, is rich and sumptuous, his composition is rigorous: a man of theater, he animates his painting as a scene, not without a narcissism tinged with irony. Juarez Machado is a huge artist, like his character: excessive, seductive, scandalous but especially deep! J.Quehen
In movie
Editions
For on line piurchases edtions, lithos, printed series please click here
French painter, draftsman and sculptor. Roger Mühl entered the National School of Decorative Arts in Strasbourg from where he went in 1948 to go to the territory of Belfort. He moved to Montreux-Château in 1954 and made his first Parisian exhibition at the Galerie de Paris in 1960. Then in Geneva, London, Milan, Dallas, Cologne, Stuttgart, Tokyo, Kyoto, Belfort and New York. His favorite studio and residence were at the former Mougins Post Office on the Côte d'Azur.
Collector's cabinet
Le peintre et son modèle
Le peintre et son modèle , Huile sur toile, 130x97cm
Pauline's comment
"The painter and his model" is a private collection canvas of Pauline, in Saint Paul de Vence. Its dimensions 130x96cm - original oil signed lower right and dated 1950 ... he was twenty years!